I want that my audience would be just happy, that in painted abstraction each would find emotional nourishment, maybe - would be surprised, look differently to the world and the colors. In my paintings dominate bright, saturated colors. Sometimes my inner state blurs landscapes - sometimes abstract forms, natural scenes. In one of my first works I drew on cardboard founded feather, like providing the direction of my paintings - easily lay out the colors, even dramatic, dynamic, emotionally effective: red and blue, green blocks, strokes, inserts. I can't imagine creation without red color, using painting language I tell the stories about life, feelings, inner transformations.